In Abandonment to Divine Providence, 17th-century Jesuit priestJean-Pierre de Caussade observed:

“Since the world began, its history is nothing but the account of the campaign waged by the powers of the world and the princes of hell against the humble souls who love God. It is a conflict in which all the odds seem to favor pride, yet humility always wins…

The war which broke out in heaven between St. Michael and Lucifer is still being fought…Every wicked man since Cain, up until those who now consume the world, have outwardly appeared to be great and powerful princes. They have astonished the world and men have bowed down before them. But the face they present to the world is false…

All ancient history, both sacred and profane, is only the record of this conflict. The order established by God has always conquered, and those who have fought with him enjoy eternal happiness….If one solitary soul has all the powers of hell and the world against it, it need fear nothing if it has abandoned itself to the order of God.”

I thought of that passage as I read The Free World: Art and Thought in the Cold War, a newly-published 727-page tome by public intellectual and cultural critic Louis Menand.

I didn’t read the whole book because half way through I realized that Menand was going to present a bunch of people from the U.S and Europe during the 50s and 60s with whom I was mostly already at least vaguely familiar. Period.

The book has no slant, no take, no thesis, no theme. No point-of-view. No argument. No order: no idea more noteworthy, interesting, or absurd than another.

Sure, he packs in the information and lively, carefully-chosen anecdotes. The breadth of his research is staggering. The Notes alone run to almost 100 pages; the Index another 40. But if you’re a child of the 50s and 60s, or anywhere near it, you’ve been reading about these individuals all your life. 

John Cage, Allen Ginsberg, George Kennan, Simone de Beauvoir, James Baldwin, Diana Trilling, Bob Dylan, Hannah Arendt, Jack Kerouac, Jackson Pollock, Clement Greenberg, and the Beatles, to name just  few—are all presented in the same neutral, faintly gossipy, tone.

No life is more worthy of censure on the one hand (except in the case of gross stupidity or harm), or of respect and admiration on the other. 

Menand himself seems not much to admire any of them. Is he saying that, given an unlimited amount of freedom, this somewhat uninspiring group—the way he paints it, anyway—is  the best that post-WWII Western civilization was been able to produce?

If so, in a way, I agree with him: but what could possibly have prodded Menand—free to write whatever moves him—to spend what had to have been years researching and writing such a book?

What he left out, as opposed to what he included, may provide one kind of answer. While mentioning hundreds of figures from politics, science, economics, public thought, and the arts, he barely mentions religion of any kind, much less Catholicism.

Graham Greene, Flannery O’Connor, Walker Percy, Thomas Merton: silence. Vatican II—nada. The 20th-century martyrs in the Gulag, Nazi Germany, Poland—who cares? The Berrigan brothers, Pope John Paul II, Dorothy Day—not important.

Not, perhaps in Menand’s mind, “free?”

I thought of a friend of mine who, in her 50s, has gone back to school and is earning her master’s in a “helping profession.” She spends an hour each morning in Adoration, then attends classes uniformly undergirded by woke ideology. She’s the oldest student in her program, and within a week had been taken to task by her professor in front of the class for being a racist, simply by virtue of being white.

She didn’t bother to tell them that she’s a widow with two teenage sons and that her late husband was black. She simply stood her ground and said, “That hurts my feelings. It’s not true and please don’t say it again.”

The conflict continued for some months. My friend stayed the course. “I just try to bring Christ to class,” she told him. “What does he want from me? What is the deepest desire of my heart?”

She asked for a couple of one-on-one Zoom conversations with her professor. She began to like him, and vice versa. Over time, a shift occurred. She saw that her fellow students were floundering. They were like sheep without a shepherd. Her heart opened to them.

“God gave me the gift to love my fellow students as they are; an awareness of who they were for me. I realized their existence—the very fact that they exist—is more important than any disagreement I might have with them. “

“They see there’s something different about me, something they can’t quite put their finger on.”  

One day she told them simply: “My life is interiorly ordered.”

That’s thought. That’s life as art. That’s freedom—in the Cold War, or at any other time in history.

4 Replies to “THE FREE WORLD”

  1. Ruth Ann Pilney says: Reply

    I read the entire article. It’s beautiful! That one beautiful soul doing such good. So honest. So humble.

    1. HEATHER KING says: Reply

      Thank you so much, Ruth! Yes, the sort of creative non-violence in our human interactions…so easy to admire, so hard to achieve! I, too, admire my friend…Advent and Christas blessings to you in your beautiful part of the world.

  2. Sonja Maierhauser says: Reply

    Dear Heather, I thought of this essay all weekend. The omission of great Catholic leaders, artists, scientists is Grand Canyon sized, and yet doesn’t that yawning canyon also explain (to you and I) the 20th century so aptly? Somehow there is that sense that all that matters is what I see, not the God who made this all.
    And your comment that, perhaps to the author’s mind, Catholics are not really free, is so true. The definition of freedom really is different.
    I love how you juxtaposed that with the account of your friend in the woke classroom. She has it exactly right when she said that no disagreement is as important as the very fact of their existence. Being is more important than agreeing; loving more important than disagreeing.
    And then to top it all off, her statement, “my life is interiorly ordered.” Unlike the best of the 20th century. BOOM!
    This is my first time writing to you, Heather, but I have been a secret admirer for many years. I found you first in the Magnificat, then read Parched this year and found your exceptional blog. Thank you for writing what so many of us cannot put in words.

    1. HEATHER KING says: Reply

      I know, Sonja–“my life is interiorly ordered.” As you say, BOOM! Those five words said more to me than Menand’s whole long book…It baffles me that the greatest contemporary thinkers never seem to wonder why history continually repeats itself–the victims overthrown the oppressors, then become oppressors themselves, ad infinitum–never seem to examine their own consciences and wonder whether the problem could be within, (each of us, obviously). Never seem to wonder what moves them, drives them, makes them weep. Never seem able to acknowledge the martyrs and saints who manage to break out of the pattern…It’s all about power, influence, prestige–which gets pretty boring pretty fast…Anyway, I’m so glad you weighed in and so glad to have had you as a reader all these years–thank you and welcome!

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